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Laurie Spiegel - The Hollows

from Female of the Species Volume 1 by Law & Auder

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    “Moody, broody, low frequency experimental electronica, featuring women in electronic music"

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about

Laurie Spiegel is one of those rare composers in whom head and heart left brain and right brain, logic and intuition, merge and even exchange roles. Though she is one of the highest-tech computer composers in America, Spiegel is also a lutenist and banjo player, and sees the computer as a new kind of folk instrument. She makes her most intuitive sounding and melodic music from mathematical algorithms, and her most complex computerised textures by ear and in search of a desired mood. Form and emotion are as difficult to separate in her music as they are in that of her idol, J.S.Bach.

Spiegel was born in Chicago where in her teens she played guitar, banjo, and mandolin, and through them cultivated a devout philosophy of amateur music making. She taught herself notation, studied classic guitar and composition in London, then baroque and renaissance lute at Juilliard, and composition with Jacob Druckman and Vincent Persichetti.

Having worked with analogue synthesisers since 1969, she sought out she greater compositional control which digital computers could provide and wrote interactive compositional software at Bell Labs from 1973-79. She later founded New York University's Computer Music Studio, and became famous in rock music circles for her music software for personal computers, especially Music Mouse.

credits

from Female of the Species Volume 1, released September 30, 2017
Written & Produced by Laurie Spiegel

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Law & Auder London, UK

Law & Auder Records is a label known for its highly themed, double cd compilations combining an ear for the experimental with a broad ranging conceptual sweep and featuring many of the finest electronic music producers in the UK.

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